The Classical Voice Studio of Diana Farrell

Monday, May 17, 2021 by Diana Farrell | THOUGHTS FROM THE STUDIO

Let's talk about #Shame. I've sung plenty of not beautiful notes. I've even sung some of them in public and on stage, gasps! Am I proud of them, of course not. We do our best to always present our most perfect performance. We craft our lines and phrases to tell stories, we study the orchestral score to find what other parts of the music are helping to tell our story - even if it is not a moment where our character sings -  but there's always going to be one of those days where a moment gets away from you. I cannot stress enough letting yourself be overcome with shame will absolutely murder the rest of your performance! All you can do is look forward to the next one and continue to tell your story. When we get in our heads an hour bodies on autopilot the rest of our performance is sure to suffer and more than likely we will have another oops moment and that is how we will be remembered. The only way to work past surprises is to embrace them in practice. I often tell my students "Stop editing yourself!" If something is not perfect then we can reflect on it afterwards and ask important questions to ensure it doesn't happen again in the future: did I prepare for this note properly? Was I focused on the through idea of the line or was I overwhelmed by a spot that gives me anxiety? Does this section feel different in my voice when I am ill, overtired, etc? Allowing these moments to happen in practice gives us the opportunity to make a plan so we are not cut off guard in front of an audience. Shame is a thief of joy and creativity. Embrace your mistakes to learn from them and see how they help you grow.

📷: Me as Lady Macbeth, when her shame finally gets the best of her and drives her insane! Don't let this happen to you 🤣

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Monday, May 10, 2021 by Diana Farrell | THOUGHTS FROM THE STUDIO

In honor of Mother's Day, and since her birthday is next week, I thought I'd celebrate my Mama here  

I'm grateful for my mom. Obviously. That's a pretty broad statement so I'll focus on one reason why I'm so lucky to have the mom I do: She is such a gifted and competent dancer. I always took her talent for granted growing up. As a child I had no appreciation for the years of study, practice, creativity, and effort she cultivated throughout her life, but I'm so fortunate to have learned from her. Her focus, her grace, her dedication, her mastery, her desire to always learn and always improve were qualities that she taught by example and have guided me in all my musical and performing endeavors. Beyond enforcing lessons about commitment, reliability, and resilience, the most important lesson she ever taught me as an artist was to "use *all* the music." I remember watching her hold a pose and even while standing still she was dancing with every inhalation. That use of legato, story telling, and pure technique... such mature lessons for myself and her hundreds of young students, but such vital elements to experience as a young performer.  People always ask if I come from a musical family. My mom usually makes a joke about my dad doing a mean Louis Armstrong impression and then jokingly sings a sour note herself, but I know now that I was receiving some sophisticated musical training at a young age, even if she didn't know she was providing it. I'm so grateful to have you as an inspiration,J Janet Farrell.

#justkeepdancing #useallthemusic #pointyourtoes #count! #imustpracticeeveryday

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Monday, May 3, 2021 by Diana Farrell | THOUGHTS FROM THE STUDIO

It is my firm belief that as singers, we are first and foremost storytellers. SO… before I get to the point of this #MondayMusings post, allow me to tell a story.

These last 14 months have been hard. I don't think that statement is unique to me in any way. I've been feeling the pains of regret, loss, and somehow guilt as I start to imagine the world reopening and live music entering our lives once more. I stopped myself in the middle of these negative thoughts one day and sat down to list out all that I've accomplished in the last three years. I did not even end up writing anything prior to the pandemic before I started to feel better. Besides being there for my family and having the privilege of spending my daughter's first year of life being present everyday, I've managed to make lots of music, grow my private studio, find lots of creative outlets, feel like I've provided relief for others, and found ways to fill my own cup. (Holy run on sentence, Batman). If you've been feeling the same, try this exercise. I think you will be as pleasantly surprised as I was. Emotionally, it's been hard on all of us but make time to reflect on your successes. One thing I've not done as much as I would like that I've always loved is working with singers on a one-off basis coaching arias. 

So in the spirit of camaraderie and everyone getting ready for the grand musical life reopening, I am offering $25 one time coaching sessions (virtually) on those pieces you've been meaning to touch up or work through for the first time. Now through the end of June I will be available for these no commitment coaching sessions for anyone who would like them. Whether you are a professional, and emerging artists, a first time singer, or just someone with a song in their heart, please DM me and I would love to set up an hour to make some music with you. Music is about storytelling and I would love to help you find your voice and help rub your engine for a future filled with song!

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Monday, April 26, 2021 by Diana Farrell | THOUGHTS FROM THE STUDIO

 This may be a super niche post, but bear with me. I was reading some {super judgy} posts in a mom group recently and there were a lot of folks attacking the original poster about their parenting style. Finally, some replied “All kids are different so you can’t assume that applying your parenting techniques to someone else’s child will garner positive results. AMEN! HALLELUJAH! I have two kids and they are similar in many ways, but polar opposites in other ways. They exist in *completely* different times and have very different social experiences (Hello, pandemic baby!) so even with my own children I have to expect that they will have unique reactions and traits. IT’S THE SAME WITH SINGERS! I have students who come from musical families, and others (like myself) who come from families that are not involved in the arts so they have completely different views and experiences in the arts world. Whether it’s teaching a young student starting out or coaching a pro who’s had an elite conservatory education, it’s about the singer and how they receive and absorb information. There is no one-size-fits-all formula to singing. We all experience the physical sensations differently and have our own vocabulary for communicating what’s happening in our bodies. That is why I stress that it takes TIME to learn a common language to discuss our bodies, our sounds, and our achievements. Those “ah ha” moments are totally based on the individual and how they process information, where they are in their studies, and what their life experiences have been prior to working together. Find a teacher who respects and is excited to learn about you and your story. It takes patience, trust, and vulnerability on all fronts to form a relationship with a teacher that will ultimately benefit the student and their progress. This is one reason why I offer trial lessons - we usually do more talking than singing, but when your body is your instrument there is a level of autonomy that is completely different from studying other instruments. If this is surprising to you, ten please take advantage of the idea. TALK to your teacher or your coach. Let them know the way you physically experience music making. Sow the seeds and see what the harvest yields!

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